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MissinaibiRiverCulture


The Ojibway and Cree Cultural Centre

Located in the administrative centre of Timmins, Ontario, east of the Missinaibi River, the Ojibway and Cree Cultural Centre serves 50 native communities of the Nishnawbe-Aski nation of northern Ontario. The Centre serves a remote and far-flung population of about 29,000 people, providing Ojibway, Cree and Oji-Cree resources, educational materials, language and cultural workshops and translation services, and supporting cultural heritage and cross-cultural awareness.
An Ojibway-Cree Heritage
Remnants of a 15th century fish camp and an Ojibway canoe-building site in the upper reaches of the Missinaibi River, as well as one of Ontario's most significant pictograph sites on Missinaibi Lake, recall up to 2,000 years of aboriginal habitation along the Missinaibi river corridor. Iroquoian ceramics found in archeological sites along the waterway reveal that the Ojibway and Cree of the forest country between the Great Lakes and Hudson Bay participated in a sophisticated trading relationship with First Nations far to the south. In some areas, the overlap of the 2 First Nations resulted in the development of a combined culture recognized today as Oji-Cree.

Contemporary First Nations communities in the Missinaibi-Moose River region include:
• Brunswick House First Nation - Duck Lake Reserve and Mountbatten Reserve (Cree)
• Chapleau Cree First Nation - Chapleau Reserves (Cree)
• Chapleau Ojibway First Nation - Chapleau Reserves (Ojibway)
• Missanabi First Nation - Dog Lake (Cree)
• Moose Factory First Nation - Factory Island Reserve, Moose Factory Reserve (Cree)

Pictured Waters: The Fairy Point Pictographs
Who painted the more than 100 pictographs that cover the rock face of Fairy Point, at the west end of Missinaibi Lake in Missinaibi Lake Provincial Park? Was it an Ojibway shaman, bobbing precariously in a birch bark canoe, struggling to complete his work as crosswinds sent 2-metre waves crashing against the granite cliff?

Mishipizhiw: Spirit of the Water
Among the pictographs at Fairy Point, at the west end of Missinaibi Lake, are spine-tingling portrayals of Mishipizhiw (also known as Mishipizheu or Gitche-anahmi-bezheu), an animal Manitou associated with the underwater realm, and sometimes regarded as an evil spirit of rapids and troubled waters.

In Cree and Ojibway cultures of the region, Mishipizhiw, was both feared and revered as a demi-god of the water. Sometimes taking the form of a menacing, snake-like creature with sharp teeth, horns, and "power lines" emanating from its body, Mishipizhiw was also pictured as fiercely feline (the "Great Lynx", "great underwater wildcat," "underwater panther," or "fabulous night panther"). Like other Manitous, Mishipizhiw had the power to shape-change into various animal forms.

The Mishipizhiw Manitou is a dominant theme in Cree-Ojibway spirituality, and appears not only in pictographs, but also in traditional stories and legends. The Mishipizhiw water spirit has been portrayed by noted aboriginal artists such as Norval Morrisseau.

Signs in the Sun: The symbolic images of canoes, fish, caribou and mythical figures that cover a 35-metre-wide swath of rock at Fairy Point are designed to be viewed from the water. The paintings face the setting sun, naturally illuminated each day just before nightfall. They have been rendered in a long-lasting red ochre paint, made of a soft iron oxide blended with grease, and protected from the elements by the vertical profile of the cliff.

While the age of the Fairy Point pictographs is not known, the name of the river on which they are found suggests that they have existed for at least 225 years. "Missinaibi" is thought to be an English version of the Cree word for "pictured waters." When European traders first arrived at Missinaibi Lake in 1777, the name was already in use.

Pictography was used by the Cree and Ojibwa for both sacred and secular purposes, and included inscriptions on birch bark scrolls, personal totems carved on the trunks of trees, images placed on gravemarkers, and symbols carved or painted on rocks or boulders. Some rock paintings are thought to have recorded the dreams and visions of shamans.

Paddler Proclamations:
Like the Fairy Point pictographs, rock paintings throughout Ontario are typically located on dramatic cliffs towering over rugged shorelines, accessible only to those who are afloat. Similar sites can be found in Bon Echo Provincial Park in eastern Ontario, Quetico Provincial Park on the north shore of Lake Superior, and at Agawa Rock in Lake Superior Provincial Park near Wawa, Ontario.

 

 


Memegwaysiwuk: The River Fairies
As you round the point at the western end of Missinaibi Lake, look carefully into the deep crevices of the granite walls and picture -at least for a moment - the hairy faces of playful, prankish people who emerge from their rocky refuge to pilfer your supplies or rock your canoe with wind and waves. Your tiny tormentors are the Memegwaysiwuk, the river fairies whose stone canoes are painted on the wall above you. Fairy Point, one of Ontario's most significant pictograph sites, is named for these mischievous sprites.